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Photography Portraits

Timothy Findley – Portrait

timothy-findley-handx

Sometimes you don’t need a face for a portrait.

I had photographed the late Timothy Findley for my first book First Chapter and following that photo session he sat down for an interview and lunch with then Calgary Herald books editor, now best selling author in his own right, Ken McGoogan. I joined the pair and Findley’s partner Bill Whitehead and continued to take a few photos but mainly listened in. What I was treated to was an entertaining hour and a half as Findley and Whitehead, the practiced tag team that they were, traded stories, memories, observations while eating, smoking and drinking wine. i think Ken just hung on and tried to get it all down.  It was an incredibly enjoyable lunch and I think this image showing Findley’s hand, glasses and wine remind me more of that encounter than the other, more traditional,  portraits I took that day.

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As Good As Any Place To Begin

A is for Atwood, which is as good as any place to begin.

That’s her photograph at the top of this page. The other portraits are Peter Oliva (at left) and Wayson Choy.

I make a living as a photographer but am fascinated by the world of writing. All writing and all aspects although I probably read more non-fiction. A life in journalism may have something to do with that. I do read almost everything though, low brow or high brow, poetry and the sports pages, thrillers and essays, novels and memoirs.

Reading one text usually leads to several more. This morning, re-reading the late Matt Cohen’s memoir Typing, A Life In 26 Keys. a book I was reminded of while reading a story in an issue of Quill and Quire that mentioned publisher Patsy Aldana, Cohen’s wife. Cohen writes about interviewing Hugh Garner and I remember that I still haven’t read Garner’s classic Cabbagetown. Cohen talks about Morley Callaghan and, among other things, his famous connection to Ernest Hemingway. That reminds me that while I have my copies of Hemingway’s A Moveable Feast and Callaghan’s That Summer in Paris, the book I regard as the third in the Paris trilogy John Glassco’s Memoirs of Montparnasse has gone missing from the bookshelves. From there I start wondering why Morley’s son Barry Callaghan has written about his house being burgled in both his essay collections and in his short story collections.

Maybe I just have problems staying on topic.

My interest in literature and authors led to a project photographing writers. Two books, each showcasing fifty writers, have been published by the Banff Centre Press. www.banffcentre.ca/Press. I also photograph books and anything connected with writing.

I enjoy photographing writers because while they are not without egos, they are not like many people connected to other arts such as TV and movies. They willingly agree to meet and be photographed even when they are ‘stars’. Margaret Atwood made time during a busy book tour to be photographed. The late Timothy Findley, photographed after a lunch that was a performance in itself, sent a note thanking the photographer for taking the time to take the images. That has never happened with a movie actor.

Photographing writers gives me an insight into the writing process, something that fascinates me.

I continue to photograph in the world of literature, maintaining a hope that the images will draw more people to the world of books. I hope this site will serve as a magazine of writing and writers, showcasing the best in photography and words.